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Barbara and Michael Leisgen, "Twilight", 1973Barbara and Michael Leisgen, "Twilight", 1973

Barbara and Michael

Leisgen

 

Lichtspiel

 

September 9 - October 7, 2016

 

opening reception

Friday, Sept. 9 (6-8pm)

 

Barbara (*1940) and Michael Leisgen (*1944)

 

In the 1970s, the early works of Barbara & Michael Leisgen came as a counterpoint to conceptual photography, notably led by the typological school of Bernd & Hilla Becher in Düsseldorf. The different works illustrated hereunder are part of the Mimesis series, located in practices in operation since the early 1960s : the recording of a natural trace, research concerning the body and experiments related to Land Art. Barbara Leisgen’s silhouette is set, and leaves its fleeting trace in landscapes; the actions involve stretching out her arms to follow the contours of undulating countryside (the Paysage mimétique and Mimesis series), or to include the sun in an arc drawn by her arm while she is seen from behind in the center of the image. This is not merely imitating nature through its gestures; it describes, in the sense of tracing, and channels it as well. The (re)appropriation of the landscape is subjective, the silhouette of Barbara Leisgen being displayed in the landscape, inscribing its mark therein is ephemeral.

The pictures recall the visions of German Romanticism, notably the pictures of Caspar David Friedrich - his painting Morgenlicht being the figurative model for the Leisgen's Mime-sis works, although Friedrich's paradigm for considering nature as sacred is amended. One might see this as an anthropocentric romantic perspective such as the French Romantic view gave us. And yet, despite the sublime aspect of the photographed scenes and the preciousness of the prints which, beyond black and white, allow us to imagine a range of colors in the dazzling light, their images also refer back to the naivety and intrinsic nostalgia of souvenir photographs. The actual viewer is placed in a specular perception, being led to look at a woman posing in a natural expanse. By doing so, Barbara & Michael Leisgen are the precursors of current landscape approaches, relying simultaneously on a modernist and postmodernist viewpoint.

Barbara and Michael Leisgen's work is discussed and mentioned in numerous publications, including "Feminism Art Theory: An Anthology 1968 - 2014" (2015) by Hilary Robinson, "Video Art Historicized: Traditions and Negotiations (Studies in Art Historiography)" by Malin Hedlin Hayden (2015), "Une introduction a l'art contemporain" by Philippe Coubetergues (2005), "Le Corps photographié" by Jean-Paul Blanchet, Dimitri Konstantinidis, ... (1996), "Le sentiment de paysage à la fin du XXème siècle" by Bernard Ceysson (1977), "Chroniques de l'Art Vivant" (1974), etc.

Their work has been the subject of several publications - mostly in conjunction with exhibitions, such as "Les Ecritures du Soleil (Sonnenschriften)" (1978), "Die Ägyptische Wand" (1980), "Stellungsspiel" (1987), "De la beauté usée : Barbara et Michael Leisgen, [exposition, Paris, Maison européenne de la photographie, 10 septembre-9 novembre 1997]" (1997), "Kunst-Landschaft 1969-2000" (2000), "Zeitsprung" (2000), and "Positions" (2006), amidst others.

 

click on image to learn more about Barbara and Michael Leisgenclick on image to learn more about Barbara and Michael Leisgen

Le Serpent    #2/3

1972, two silver gelatin prints on baryta-coated paper, mounted on dibond,

each 22 by 28 cm (8 3/4 by 11 in.), framed together (ca. 50 by 80 cm, 10 3/4 by 31 1/2 in.)

edition of three

 

 

 

 

 

werkstoff.
image: Inma Femeniawerkstoff. image: Inma Femenia

werkstoff.

 

Clayton Colvin

Inma Femenía

Yoshishige Furukawa

María Leon

 

a collaborative project by Guido Maus and CRUCE

September 15 - October 29, 2016 

opening reception

Thursday, Sept. 15 (5-10pm)

 

CRUCE Arte y Pensamiento Contemporáneo


Doctor Fourquet 5

28012 Madrid

(Detrás del Museo Nacional Centro de Arte Reina Sofía)

click image for more information on the

werkstoff. exhibition project in Madrid, Spain

 

 

 

terreno áspero | rugged terrain 
image: Nico Munueraterreno áspero | rugged terrain image: Nico Munuera

 

terreno áspero | rugged terrain

 

contemporary painting from Spain

 

Inma FEMENÍA

Santiago GIRALDA

Irene GRAU

Alex MARCO

Nico MUNUERA

 

October 21 - December 30, 2016 

 

opening reception

Friday, Oct. 21 (6-8pm)

click image for more information

on terreno áspero | rugged terrain

 

 

 

Travis SomervilleTravis Somerville

Travis Somerville

 

 

January 13 - February 18, 2017

 

opening reception

Friday, Jan.13 (6-8pm)

 

 

 

 

Leslie Smith IIILeslie Smith III

Leslie Smith III

Locus Of Control

 

March 17 - April 21, 2017

 

opening reception

Friday, March 17 (6-8pm)